Oil On Canvas, Real Flavor of Old Masters

All Diego Velazquez 's Paintings
The Painting Names Are Sorted From A to Z

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ID Image  Painting (From A to Z)       Details 
22619  
Trois Hommes a table (df02), Diego Velazquez
  		 Trois Hommes a table (df02)   c 1618 Three Men at Table Drei Manner am Tisch 108.5 x 102 cm
22618  
Trois Musiciens (df02), Diego Velazquez
  		 Trois Musiciens (df02)   1617-1618 Musical Trio Drei Musikanten 87 x 110 cm
731  
Two Men at a Table, Diego Velazquez
  		 Two Men at a Table   Wellington Museum, London
22671  
Une main d'homme (df02), Diego Velazquez
  		 Une main d'homme (df02)   c 1630 Hand of a Man Fragment einer Hand 27 x 24 cm
22665  
Une Sibylle (df02), Diego Velazquez
  		 Une Sibylle (df02)   1630-1631 A Sibyl Sibylle 62 x 50 cm
22495  
Velazques and the Royal Family of Las Meninas (detail) (df01), Diego Velazquez
  		 Velazques and the Royal Family of Las Meninas (detail) (df01)   1656-1657 cat.no 124
22733  
Velazquez et Ia Famille royale (Les Menines) (df02), Diego Velazquez
  		 Velazquez et Ia Famille royale (Les Menines) (df02)   1656-1657 Velazquez and the Royal Family (Las Meninas) Velazquez und die Konigliche Familie (Las Meninas) 318 x 276 cm
22616  
Velazquez et la Famille royale ou Les Menines (detail) (df02), Diego Velazquez
  		 Velazquez et la Famille royale ou Les Menines (detail) (df02)   1656-1657
22715  
Venus a son miroir (df02), Diego Velazquez
  		 Venus a son miroir (df02)   c 1644-1648 Venus at her Mirror Venus mit Spiegel 122.5 x 177 cm
33646  
Venus at her Mirror, Diego Velazquez
  		 Venus at her Mirror   mk86 c.1644-1648 Oil on canvas 122.5x177cm London,National Gallery
22583  
venus at her Mirror (df01), Diego Velazquez
  		 venus at her Mirror (df01)   c 1644-1648
21648  
Venus at her Mirror (mk08), Diego Velazquez
  		 Venus at her Mirror (mk08)   c.1644-1648 Oil on canvas, 122.5x177cm London,National Gallery
61393  
Vieja friendo huevos, Diego Velazquez
  		 Vieja friendo huevos   Vieja friendo huevos (1618, English: An Old Woman Frying Eggs). National Gallery of Scotland, Edinburgh.
67421  
Viejafriendohuevos, Diego Velazquez
  		 Viejafriendohuevos   Old Woman frying Eggs, 1618, Diego Velezquez
22620  
Vielle Femme Faisant frire des cenfs (df02), Diego Velazquez
  		 Vielle Femme Faisant frire des cenfs (df02)   c 1618 Old Woman Frying Eggs Alte Frau beim Eierbraten 100.5 x 119.5 cm
28564  
View of the Garden of the Villa Medici in Rome, Diego Velazquez
  		 View of the Garden of the Villa Medici in Rome   mk61 c.1649-1651 Oil on canvas 48x42cm
28565  
View of the Garden of the Villa Medici in Rome II, Diego Velazquez
  		 View of the Garden of the Villa Medici in Rome II   MK61 C.1649-1651 Oil on canvas 44X38cm
22535  
Villa Medici in Rome (Facade of the Grotto-Logia) (df01), Diego Velazquez
  		 Villa Medici in Rome (Facade of the Grotto-Logia) (df01)   1630
22534  
Villa Medici in Rome (Pavilion of Ariadne) (df01), Diego Velazquez
  		 Villa Medici in Rome (Pavilion of Ariadne) (df01)   1630
22591  
Vocation of St Matthew (detail) (df01), Diego Velazquez
  		 Vocation of St Matthew (detail) (df01)   Juan de Pareja 1661 Madrid,Museo del Prado
28107  
Vulcan's Forge, Diego Velazquez
  		 Vulcan's Forge   mk61 c.1631 Oil on canvas 223x290cm
53806  
Vulcanus- smithy, Diego Velazquez
  		 Vulcanus- smithy   mk234 1630 223x290cm
77378  
Wicker Basket and Scissors, Diego Velazquez
  		 Wicker Basket and Scissors   Date 1889 Medium Oil on canvas Dimensions 17 by 15 inches cyf
38426  
Yong Man, Diego Velazquez
  		 Yong Man   c. 1629 Oil on canvas
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Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet



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